Publications
Peer-Reviewed Scholarship and Public-Facing Writing
Indigenizing the Mainstream: Music Festivals and Indigenous Popular Music
How to Undertake Hybrid Online/Offline Ethnography
Singing Resilience: Indigenous Women’s Leadership Counteracting Gender-Based Violence
WITH JOSHUA THUNDER LITTLE
Hearing Resistance through Wolakota: Lakota Hip Hop and Environmental Activism
Rapping to and for a multivocal Canada: Je m’y oppose au nom de toute la nation
Hip Hop Dialogues: Sampling Women’s Hand Drum Songs and the Canadian Popular Mainstream
Bilingual Hip Hop from Community to Classroom and Back
WITH NASIM NIKNAFS
Popular Music and (R)evolution of the Classroom Space: Occupy Wall Street in the Music School
Customs and Duty: Indigenous Hip Hop and the US-Canada Border
WITH NASIM NIKNAFS
Practice What You Preach: Teaching and Learning Popular Music in Higher Education Through Interdisciplinary Collaboration
Indigenous Survivance and Urban Musical Practice
Popular Press and Other Scholarly Publications
PLAYLIST AND POST
The Sounds of Sonic Sovereignty: A Playlist
COMMENTARY WITH MEDIA
How the Summer Music Festival Changed in 2020, and What’s Next
PODCAST REVIEW
Media Review of Unreserved
CONCERT REFLECTION
Fallen: From a Singer’s Point of View
BOOK REVIEW
Book Review of Aboriginal Music in Contemporary Canada: Echoes and Exchanges.
COMMENTARY WITH MEDIA
Hip Hop and Language Learning
ESSAY
Listening as Decolonial Practice
COMMENTARY WITH MEDIA
Tanya Tagaq Loudly Combats Indigenous Stereotypes
ENCYCLOPEDIA ARTICLE
Native American Popular Music
Liz Przybylski: On Ethnomusicology, Sound, and Sovereignty
A podcast interview about music and place
Sonic Sovereignty
A video interview about hip hop and mainstream media
Hybrid Ethnography: Online Offline and In-Between
A video interview about research methods for online/offline work